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Tai chi / Bagua

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A moment of instantaneous delight occurred when I first observed people doing tai chi chuan (tai ji quan) in the early 70's in San Francisco’s Golden Gate Park. Being mesmerized by its slow, rhythmic, dance like motion and feeling quite emotional and captivated by its beauty, I soon realized I had to study this art form. And much to my delight, I soon learned that hidden within tai ji were both a powerful martial art and a meditation through movement.

 

Returning to Ann Arbor, my long study of tai ji (yang style) was initiated with a local, colorful, and soft-spoken Volvo mechanic, Bob Thorson, and his teacher, Phil Ho. In Madison, Wisconsin, while doing a residency in psychiatry and in Chicago while practicing holistic medicine, I continued to practice tai ji, although yoga and meditation became my primary focus.

 

We moved back to Ann Arbor in 1981 and from time to time Bob and I would get together to talk of old times and practice our tai ji form. In the late 90’s, I had decided to study other forms of Chinese martial arts and had often heard that Richard Miller had great skill in many of these systems. Nine years ago, I happened to meet Richard in Burns Park practicing with his group, was very impressed, and soon began studying tai ji and bagua with him.

 

In our class, we study chen style tai ji, the original and oldest form of tai ji, as well as baguazhang, another Chinese internal martial art.

 

My good friend, colleague and lawyer, Marty Kriegel, and I have had many discussions about the interface between tai ji, qigong and the concepts and practices of yoga. Recently, Marty asked me if I’d like to learn a short form of Yang tai ji that he learned while living in Hong Kong. We spent a few weeks in the summer of 2009 studying and practicing the sweet little form. It is the form that Mao Tse Tung asked to be developed so that all Chinese people could practice that was a bit less complex than the longer more rigorous Yang form. It is practiced all over the world, from the innumerable parks in China, Taiwan and Hong Kong to the China towns in Vancouver, New York and San Francisco.

 

My office manager and colleague, Cinda Hocking, herself a kung fu practitioner, also learned the form with me from Marty. We now have a study group in Ann Arbor, where we meet once or twice weekly, and have several fellow students where we teach, learn and practice together.

 

Another tai ji form I have studied a bit is Swimming Dragon. It is taught by Liping Zhu, an acupuncturist and qigong practitioner from San Francisco. We met at Tassajara Zen Center in Northern California and have taught a seminar there together integrating Zen, qigong and yoga philosophy. Her from is quite beautiful, combining the practice of tai ji, dance and the internal system of the microcosmic orbit, the latter method being a meditative system of qigong and Taoism. I really have just dabbled in this and someday I’d like to learn the whole form from Liping.

Bagua

Bagua is a powerful fighting form and at the same time, like tai ji, meditative. We practice three days weekly, spending the first hour and a quarter on tai ji and the next two hours on bagua.

 

The chen tai ji and bagua we practice take concentrated effort, involve both slow and fast movements, and often are quite athletic. To quote from Richard Miller’s website, greatlakeswushu.com, “Chinese martial arts (wushu) is a rich and challenging discipline; the unification of body and mind is its supreme goal. Strength, health, and fighting skills are rewards and the cultivation of inner qualities such as steadfastness, humility, and will are the bedrock upon which the art is rooted.”

 

Since working with teachers Scott Berry, Richard and the group, my physical health has never been better and old back problems are much improved. Whether it’s doing the slow meditative movements of tai ji, turning the circle in bagua, or wielding our 7 pound, 5 foot bagua saber, I always feel stimulated, challenged, and sometimes a bit sore.

Idea is to still the mind through movement and to use movement to still the mind: meditation in movement

 

Create a state of emptiness

 

Promotes unattached centeredness

 

Body, breath, mind fusion into an integrated whole

 

Learn to use breath to develop power, to heal, and to raise consciousness

 

Balance the autonomic nervous system through focused and directed movement

 

Calm the central nervous system and still be able to react quickly, dispassionately,   purposefully

 

Learning to fight using the internal martial arts is a metaphor for mastering/conquering inner psychological and emotional battles

 

Based on the great spiritual philosophy of Taoism

 

Follows the Book of Changes (I Ching)

 

Teaches us to follow the Tao, the natural order of things, which is ever changing and circular, and integrating the opposites of yin and yang

 

Tai ji focuses attention of the meditative aspects of relaxing, letting go, yielding with full attention

 

Tai ji absorbs energy of one’s opponent and uses that force to defeat this enemy – in meditation we are also receptive to and use the energy of the universe to gain strength to thrive in the world

 

Teaches us to adapt and change effortlessly which helps the person deal with the natural flux of the universe and life’s vicissitudes

 

Teach us to be egoless and empty of expectation and at the same time to be fully aware of the moment and the current event as it unfolds

 

Teaches us to be hard or soft, active or receptive as things unfold

 

Balance of heath and performance

 

Focuses first on health, then strength and fitness (unlike external martial arts which focus on the later first)

 

Development, transformation, and transmission of chi/energy for health of body and mind

 

Use external force at the same time maintaining a subtle calmness and quite inside

 

Transformation of energy and chi into healing, meditation, and fighting

 

Twists the spine, stimulating all the nervous system connections

 

Stretches and tones all the muscles

 

Massages all the internal organs

 

Pumping the fluids inside the spine up through the brain

 

Promotes fluid exchanges within and between the cells

 

Spiraling forces developed bring our forces in harmony with the spiraling energies within our own bodies (DNA, muscles, finger tips), powerful forces of nature (hurricanes, tornadoes), and the universe (solar system, galaxies)

 

Dance like movements and in fighting forms are used by the practitioner as a means to express him/herself artistically, creatively and beautifully in fluid and effortless motion, , much like a painter uses his paints to express himself

 

Movement begins from deep within the body and works itself outward towards the muscles and skin

 

Can add mental intention/will and visualization to move chi/energy through the centers of power/chakras/tantiens/microcosmic orbit for healing and health, raising awareness, development of spiritual qualities (compassion, acceptance, intuition, kindness, creativity), and for concentrating and issuing power for martial art purposes

 

Move energy through the meridians associated with acupuncture

 

Whole body mind/spirit unity

Bagua

Major Benefits

He Jinbao believes that regardless of what style of martial art one practices, the art should not diverge from the basic precepts of:

1) Strengthening one’s body,

2) Improving one’s health

3) Developing one’s ability to fight, and

4) Preparing one to display their art in a visually pleasing way.

5) Meditation through movement, especially turning a circle with full body, breath and mental awareness (I added this as a fifth benefit.)

He emphasizes that while martial arts have far reaching benefits, one must be alert to potential hazards. “In the beginning of practice the initial result will be that the body gets stronger and you will continue to strengthen and grow as you practice.  However, practicing incorrectly may yield the opposite effect  -  you could actually hurt your body.”

He distinguishes between strength and health, saying that the latter, too, will improve with continued practice. “There are many important things to get out of training, says He,  “But longevity is very important.  Pay attention to the normal circulation of blood, breathing; the  health of heart and lungs.  Those who over train or move excessively should slow down and ‘gather’.  You should take into account your age, constitution, how long you’ve been practicing and how much each day in structuring your training to reach the goal of a healthy body.”

Perhaps due in part to the advent of the performance art dubbed “modern wushu” and the prevalence of ill-trained gongfu “masters” or those insincerely touting the importance of application, some question the legitimacy of the Chinese systems as fighting arts.  He Jinbao’s efforts to promote the value of Yin Style Baguazhang invariably reveal his combat skills.  He is agreeable to challenges and possesses a spirit and abilities that tend to allay doubts.

“It doesn’t matter what martial art, style or system you practice, you should know how to apply it,” he says. “The Chinese saying goes, ‘Whatever you study you should be able to use.’  Only if you know how to employ your martial art can you raise your practice  -  bring it to another level. And by practicing well you will be able to apply your art even better.  Your usage skills can also be seen as a way of measuring your growth or progress.”

He Jinbao dislikes the term “performance” when describing the demonstration of martial arts. “I  feel that performing is something you do for others,” he says.  “When you are practicing for yourself, observers will as a result notice more fullness in your movements. You ask yourself,  do my techniques feel good,  are my movements rounded and smooth, do I feel good after I practice?  Once you reach a high level it (your gong fu) should look good to other people because it feels good to you”

He says that by dropping one’s qi the abdomen gains strength. He feels that by being exact in one’s body alignments and paying attention to internal sensation, “You get things moving and experience a kind of self massage of internal organs.  And when you have to execute sudden or violent actions your organs will be strong and able to tolerate bouncing around . You can avoid becoming dizzy or nauseous.  No matter what style you practice your outside should be strong and powerful as well as your inside.”  To illustrate his conviction, when He Jinbao assumes the Lion Opens its Mouth, his rib area feels not unlike stone.

General description of meditation

 

Meditation is sustained and uninterrupted concentration that leads to a highly focused mind. Meditation begins with concentration, which helps make our mind steady. When prolonged concentration leads to the continuous flow of the mind towards one object, this becomes meditation. To maintain and deepen meditation, the mind must have something to focus on. These objects of concentration not only focus the mind but also have the inherent ability to lead the student to more expanded states of awareness. The objects typically used are sounds (mantras), visual images (yantras or chakras), light, breath, or specific types of prayer.

 

There are several specific goals of meditation. The first is to liberate the mind from disturbing and distracting emotions, thoughts, and desires. The mind is transformed from a state of unrest and disharmony to a state of calmness and equilibrium. Another important goal of meditation is to bring the unconscious mind into conscious awareness in order to gain greater control over thought processes and emotions. The ultimate goal is to attain expanded states of consciousness in which we not only have in- creased awareness of previously unconscious thoughts and feelings, but also awareness of more subtle and universal principles, and comprehension of the world in a more complex and integrated way. In this state, we can experience great joy and inner peace.

 

Neutral and nonjudgmental observation of the content and experiences of the mind should accompany the process of meditation. It is important to avoid being attached to the contents of the mind during meditation because the desire to attain something or to have certain types of experiences distracts the mind from its focus and will interfere with continued concentration. This can lead to losing the calmness and contentment that normally characterize the steady mind.

 

As the power of concentration develops through the practice of meditation, our physical and mental abilities may also increase. It is important not to use these abilities for selfish purposes because this would interfere with the development of compassion and humility, which are very important qualities that arise from deep meditative practices. Self-indulgence and the need for self-gratification limit us to the narrow confines of our own individual mind and inhibit the experience of expanded states of awareness.

 

The technique of meditation is actually quite simple and systematic. When practicing meditation, we sit on a chair or on the floor with a straight spine and with hands placed comfortably on the lap, thighs, or knees. The eyes are closed gently. Using our mind, we relax each body part, beginning at the head and ending at the feet. We then regulate breathing by using the abdomen and diaphragm to move air in and out of the lungs. During inhalation the upper part of the abdomen moves out, away from the body, and on exhalation the abdomen moves back towards the body. Next, we adjust our breathing rhythm to become efficient, smooth, deep, and without pauses or hesitations. We then withdraw our senses from the outside world and direct all attention inwards. We follow this by concentrating on a sound (mantra) and also on specific energy centers within the body (chakras)..

 

During meditation, when thoughts, emotions, or desires arise, we observe the nature and content of these mental phenomena. We do not force our thinking to stop but instead we allow our thoughts to cease on their own. We simply return our focus to the object of concentration, such as our mantra. As thoughts arise, they are allowed to gently come into the mind and then to pass effortlessly out. We calmly bring our focus back to the object of concentration. Slowly, the process of letting go and refocusing becomes easier and is accomplished more quickly and meditation deepens naturally. With persistent practice, the mind gradually becomes identified with the object of concentration. This allows the individual to experience deeper and more highly refined states of consciousness.

 

Meditation has three key components: the person who is meditating, the technique of meditation, and the object of concentration during meditation. As the practice deepens, aware- ness of the technique is gradually eliminated. This occurs because as focus on the object of concentration becomes steady and automatic, awareness of the process diminishes until finally we cease to be conscious of it at all. Next, we lose awareness of ourselves as the mind identifies completely with the object of concentration. Finally, the object of concentration itself disappears as the mind becomes completely permeated with the object by its constant association with it. After all three components have disappeared, there is no awareness of our separateness and we experience a state of expanded consciousness.

 

Note: This information is adapted from my book, How to Meditate Using Chakras, Mantras, and Breath.

 

The path of meditation / raja yoga

 

The raja yoga path of meditation is an exact science. It is an inward journey that uses a detailed map as a guide that has been developed over thousands of years. The techniques and benefits gained from this meditative tradition can be verified by anyone who accepts the prescribed methods as a hypothesis and then tests them by his or her own experience. The practices of raja yoga and meditation are systematic disciplines that do not impose unquestioning faith but encourage healthy personal decision-making and discrimination.

 

When we prepare for and practice the form of meditation in this book, we follow the systematic steps of raja yoga along with the related paths of kundalini, mantra, and tantric yoga. The eight rungs on the ladder of the raja yoga path of meditation are described below.

Eight Steps of Raja Yoga

  1. Yamas – Regulation
  2. Niyamas – Observances
  3. Asanas – Postures and cleansings
  4. Pranayama – Breathing exercises
  5. Pratyahara – Sense withdrawal
  6. Dharana – Concentration
  7. Dhyana – Meditation
  8. Samadhi – Absorption, Enlightenment

1. Yamas are regulations of our relationships with others. These regulations all lead to modification of behavior, replacing negative habits with ethical values. When these restraints are practiced, the student remains free of guilt and remorse and experiences a greater sense of self-confidence, fulfillment, and peace of mind. Regulation of attitudes helps to conserve and direct our energy to higher spiritual practices. The five yamas are presented below.

Non-violence in thought, action, and speech is the first regulation. In San- skrit, the word for non-violence is ahimsa. When we practice non-harming we purposefully avoid hurting another person physically or emotionally, we do not talk behind another person’s back, and we are not even too hard on ourselves. It is a similar concept to the Hippocratic Oath when a physician pledges to “first, do no harm.” Even if we cannot help another per- son or our community, we must not cause more pain or suffering in another’s life.

Truthfulness to ourselves and to others is the second yama. Being truthful allows for the development of trust, inner strength, and courage.

Yamas: Restraints

  • Non-violence of thought, action, and speech
  • Truthfulness to oneself and others
  • Non-stealing
  • Control of sexual and sensual desires
  • Non-possessiveness and non-attachment

Non-stealing is the third regulation. Both lying and stealing inevitably lead to more deception to cover up the original lie or theft. A great amount of time and energy is wasted in these attempts to cover up misappropriations. Our conscience will often be affected leading to preoccupation with troublesome thoughts.

Control of sensual and sexual desires is the fourth yama. Preoccupation with satisfying sexual urges can be very distracting to the spiritual path. Being moderate with our desires, not mani- pulating another for sexual control, and directing our affection to a mutually agreeable loved one all represent control of the sensual desires.

Non-possessiveness is the fifth regulation. There is a great amount of time wasted in accumulating possessions that are useless or unnecessary in daily life. Attachment to material wealth leads to discontentment because we either worry about what we do not have or fear we will lose what we already do have.

 

2. Niyamas are observances of body and mind and in- clude the following five major principles. These observances enable us to develop self-awareness and self-control and prepare us for more adv- anced practices.

Cleanliness and purity of body and mind are the first observances. Being clean physically is an easy task to accomplish, but purity of the mind involves attempting to be discriminating and mindful at all times.

Contentment is the second niyama and involves creating a state of mind that encourages feelings of tranquility and equilibrium in all circumstances. Learning to be content in life regardless of wealth or personal status is the goal of this observance. Eliminating the desire to accumulate more possessions than is necessary for healthy and comfortable living helps cultivate contentment.

Practices that bring about health of body and mind are the third observance. This includes using preventive approaches to health care such as good nutrition and exercise.

Study of spiritual readings constitutes the fourth niyama. Reading books of philosophy and religion and studying the writings of inspirational spiritual leaders are examples of this observance.

Surrender to the higher self and ultimate reality is the fifth niyama. This involves devoting our body, mind, ego, and intellect to the pursuit of knowledge, truth, and wisdom.

 

3. Asanas are postures that include hatha yoga poses to ensure physical well-being, strength, and flexibility. While hatha yoga postures have many positive health benefits, such as helping back pain, lowering blood pressure, and stimulating under-active glands, the ultimate goal is to help develop a steady, strong spine for meditative practices. Hatha yoga practices also include practicing specific body washes and cleansings (kriyas), placing the hands and fingers in certain positions to direct internal energy flow (mudras), and the application of physical locks (bandhas). These physical locks involve compressing and stimulating various glands, nerves, and energy centers (chakras). There are also specific sitting postures that allow for effortless, steady, and more lengthy meditation practices.

 

4. Pranayama, which means control of prana or energy, are breathing exercises that are essential for integrating body, emotions, and mind. They are useful in treating many physical illnesses such as asthma, sinus conditions, digestive problems, and thyroid disorders. They are also helpful for controlling stressful situations and treating emotional problems including anxiety, obsessive-compulsive disorder, and depression. The ability of breathing exercises to affect the mind and emotions can be explained by the fact that there are direct nerve connections from the nose and lungs to the brain with important relays to the nervous and endocrine (hormone) systems. Pranayama techniques are also essential to enhance meditation.

 

5. Pratyahara is sense withdrawal and control of the five senses (taste, smell, sight, touch, and hearing). We learn to voluntarily draw the senses inward and thus do not allow ourselves to be distracted by the world. Sense withdrawal from external desires and objects is an essential preliminary to deeper concentration and meditative techniques.

 

6. Dharana means concentration and includes practices where the distracted thoughts of the mind are gathered together and directed inwards towards an object of concentration through continual voluntary attention. In Tantric forms of meditation, the objects of concentration are inner sounds and vibrations (mantras), visual images and geometric forms (yantras), energy centers in the body (chakras), breath, and light.

 

7. Dhyana is meditation, which is sustained and unbroken concentration. While concentration techniques make the mind steady and one-pointed, meditation expands the one-pointed mind to a higher state of intuition and awareness by piercing through the conscious and unconscious mind.

 

8. Samadhi is absorption with the object of concentration and meditation (mantras, yantras, or chakras) through intense and prolonged effort. As the focus of concentration deepens, associated sounds and visual images fade. A conscious and calm state ensues, devoid of thought. The sense of self dissolves, replaced by a sense of universal consciousness. This state is free of the limitations of time and space. As the state of samadhi deepens, all experiences of duality and separation are lost, and union with the underlying forces of the universe is experienced. At the deepest levels of meditation, there is absorption into universal consciousness. While it is impossible to adequately verbalize such an experiential state, it has been described as having ultimate wisdom and knowledge, waves of tranquility, a sense of beauty, boundless and transporting joy, and feelings of bliss. A person reaching the state of samadhi has continual access to these experiences and at the same time lives simply in the world to help others.[i]

 

Note: This information is adapted from my book, How to Meditate Using Chakras, Mantras, and Breath.

Koshas: Meditation, the Five Levels of Consciousness and Holistic Medicine

 

Unlike the Western conception of the human as an amalgam of body and mind, meditation theory recognizes five levels of consciousness that span a much larger spectrum of human experience. The five levels of consciousness are conceptualized as existing from gross external levels to more subtle internal ones, the outer being more dense and obscuring the finer, less material inner layers. Associated with each level is a specific type of awareness. These five levels of consciousness are called sheaths (koshas) because of their concentric arrangement, although they all inter- penetrate each other. The five major sheaths of consciousness are the body or physical sheath, the energy or breath sheath, the mind sheath, the intellectual or unconscious sheath, and the blissful or transcendental sheath. Within the last sheath lies the Center of Consciousness, the source of all the other levels.

 

The Center of Consciousness is often compared to light and the different sheaths as lampshades that cover it. Each concentrically placed sheath obscures and conceals the clarity and brilliance of the underlying light source. The shades reflect the light to different degrees and are made of different materials, shapes, and colors. The outermost sheaths are the densest, allowing the least amount of light to penetrate. Those who identify only with the most external sheaths, such as the body, remain oblivious to the more inner levels of consciousness and the Center of Consciousness. They experience life only on a mundane physical level and cannot feel the deeper, more spiritual aspects of their existence. On the other hand, meditation teaches the student to penetrate the sheaths so that he/she can experience the complexity and subtleness of life and more clearly see the source of the inner light.

 

These sheaths form a continuum, and all levels are inter- dependent, connected, and coordinated closely. Humans exist simultaneously on all these levels. The connections between the levels are maintained by the chakras, as these centers integrate the physical, electromagnetic, mental, and spiritual energies from the various sheaths of consciousness. In this way, body affects mind, breathing affects the unconscious, and the deeper spiritual levels affect all the other levels. Thus, each kosha and chakra center offers a particular frame of reference through which the individual relates to and experiences the world.

 

The theoretical construct of the sheaths of consciousness helps explain how the body, mind, and emotions interact in both health and disease. The paradigm of the koshas is a very useful medical model because it says that humans exist on several levels, including the physical, energy, conscious mind, unconscious mind, and super conscious mind. If humans exist on these levels, it follows that disease also occurs on these levels and that diagnosis and treatment can be focused at the appropriate level. Thus, the philosophy of the sheaths represents a model of preventive and holistic medicine which offers both conceptual theory and pragmatic treatment approaches into which various conventional and alternative therapeutic systems of health care can be organized and integrated.

 

The body sheath is the first and outermost layer and is called the annamaya kosha. Anna means “food” and maya means “illusion.” Thus, annamaya kosha refers to the physical body (which is made of food) and represents the densest level of illusion that obscures consciousness. This kosha includes the anatomical and physical structure of the human body. Traditional methods used to treat people who have problems on this level are diet, vitamins, minerals, drugs, physical therapy, and surgery. Complementary and alternative approaches include more broad-based nutrition and supplementation, herbal medicine, and body therapies such as massage, hatha yoga, martial arts, and tai chi. People involved with meditation often simplify their diets, moving towards eating less meat, fat, and refined sugar, all of which help to decrease the risk of heart disease, cancer, and hypertension. They learn to be observant as to what foods create clarity of mind, energize the body, create mental dullness, or cause irritability, stuffiness, or gas. Yoga, martial arts, and other forms of exercise are often practiced because of their positive effects on mind-body awareness and integration.

 

The energy sheath is the second layer and is called the pranayama kosha. This kosha consists of the subtle forces of prana, which means “energy,” and is sustained and nourished by the breath. There are really no approaches in traditional allopathic medicine that either diagnose or treat a patient on this level, mainly because conventional perspectives do not really recognize the existence of this level. Holistic approaches that treat the energy sheath are biofeedback, acupuncture, pranayama (breathing) exercises, and homeopathy. With respect to the human organism, energy has various names and forms. Chinese call energy chi and homeopathic physicians call it the vital force. In all traditions, it is considered the life force that animates the human organism. The major transmitter of energy from the external world to the individual is through breathing and, to a lesser extent, food.

 

Meditation theory suggests that because energy (second sheath) links body (first and outermost sheath) and mind (third sheath), imbalances on the energy level often reflect or predate physical disorders or emotional problems. Before mental disease can produce physiologic changes, the disharmony first may pass through the intermediary energy level. Conversely, suppressed physical illnesses may show manifestations in energy patterns be- fore affecting the mind or emotions.

 

Acupuncture works on the energy level by needles or finger pressure being applied to pathways that transmit energy flow. These pathways are called meridians and have no real correlation with nerve pathways. They are similar to the nadis of meditation theory. By stimulating certain points, a balancing of energy flow is facilitated in distant organs. Pain reduction and anesthesia are also possible through acupuncture therapy.

 

When there are uneven patterns of breathing, the flow of energy through the body is also affected. Physiologically, irregular breathing influences every cell of the body by its effect on oxy- genation and blood flow, on the central nervous system, and the autonomic nervous system. By consciously controlling the breath, we learn to modulate and direct the amount and quality of energy entering the body. Through slow and deliberate practice of simple breathing exercises, such as diaphragmatic breathing, we learn to discern which irregularities of the breath flow reflect particular illnesses, how certain states of mind adversely affect breathing patterns, and also how to redirect and guide the breath to create harmony between the mind and body.

 

Homeopathy is an interesting form of medicine that acts directly on the energy level, which is called the vital force. Through the process of dilution and vigorous shaking, which is also called attenuation or potentization, the medicines are prepared and refined in such a way that they work on an energy level. The medicine, which is called a remedy in homeopathy, is offered to the patient when it matches the energy level of the illness. This has the effect of catalyzing a healing response of the body and mind.

 

The mental sheath is the third layer and is called the manomaya kosha. Mano means “mind” and this level corresponds to the conscious mind. This sheath helps make up our personalities and is sustained through active thought. Treatment modalities that act on this level include various Western psychotherapies, especially those approaches that are behavioral in orientation. Through careful observation and analysis, the patient learns to identify his problems and then forms strategies to solve them. Various medications to control depression, anxiety, or bipolar disease also directly affect mental functioning. Relaxation and concentration techniques associated with the meditative traditions also directly affect conscious mental activity. By emphasizing non- attached observation of the flow of thoughts, we learn to clear the conscious mind by letting go of distracting and habitual thoughts and emotions. By mentally sending messages to our body and by observing the breath and energy flow, we can learn to relax muscular tension and help better regulate tension-related diseases such as high blood pressure and migraine headaches.

 

The intuitive sheath is the fourth layer and is called the vijnanamaya kosha. Vijnana refers to the intuitive knowledge of consciousness and this level corresponds to some degree with the Western idea of the unconscious mind. Areas of mental health care associated with this sheath are the techniques of free association in Freudian psychoanalysis, dream analysis of Jungian psychology, and certain meditative practices. All therapies directed to this level help us become aware of unconscious motivations and emotions as well as refine our intuitive, nonverbal faculties. This allows for integration of deeper, unexplored levels of the human psyche within us.

 

Meditation helps problems that arise from the intuitive sheath by teaching us to witness troublesome thought and emotional patterns. Through meditation we begin to realize the fleeting, ever-changing character of the mind. Acknowledging the impermanence of thought brings awareness that there is an element of unreality associated with patterns of the mind. We come to know a quiet, calm, and centered part of ourselves that lies beyond the mind. We can then observe the mind and use it as a tool, yet not become identified with it. When practicing meditation we learn to let go of transient desires and vacillating emotions. We become less attached to meaningless mental events, freeing mental energy for more creative purposes and expanded awareness.

 

The blissful sheath is the fifth layer and is called the anandamaya kosha. Ananda means “bliss” and this sheath corresponds with higher states of consciousness. The only approaches that can apply to this level are more advanced meditation techniques that help create a state of inner peace, harmony, deep understanding, compassion, love, and feelings of bliss. With sustained concentration on a single object, especially a sound (mantra), the practitioner can become absorbed with the sound, and is led inwards towards the Source/Center of Consciousness.

 

The Center of Consciousness lies within the fifth and innermost sheath and is considered to be the source of all the other sheaths of consciousness. It is that part of the individual (self) that is most intimately connected with the universal (Self). When meditation leads a person to the Center of Consciousness, the narrow confining ego (sense of self) is cast off, and one merges with the source of all consciousness, which is within all humans and is nonchanging and eternal. It is described as a place of complete knowledge, absolute peace, indescribable joy, and ultimate bliss. The meditative process finally culminates with the elimination of mundane distractions and absorption with the source of consciousness. We become fully awake and live beyond the bondage of time, space, and causation. This state has many names, including Samadhi, nirvana, the Tao, God consciousness, Christ consciousness, enlightenment, or self-realization.[ii]

Note: This information is adapted from my book, How to Meditate Using Chakras, Mantras, and Breath.

Meditation and Chakras

 

Meditation involves focusing the mind on a thought or object. There are some objects of concentration that not only center and calm the mind but also are intrinsically connected to higher states of consciousness and therefore have inherent power to lead the practitioner of meditation to experience these states. These objects of concentration include the chakras, mantras, and yantras.

 

Chakras are subtle centers within the body where physical, psychological, and spiritual forces interact and intersect. A chakra, which means wheel or circle, is seen in a deep meditative state and is experienced as an energy field. As the movement of spokes emanating from a central motionless hub characterizes the wheel, the chakras represent an area of energy surrounding a central point from which motion and energy originate. Each subtle energy wheel represents a force field that transforms energy from its source (consciousness) into various physical, mental, and spiritual qualities.

 

While these centers are described as being inside the spinal cord and correspond to major nerve plexuses and are associated with anatomical organs and endocrine glands, the chakras cannot be found by dissecting the human body. They can only be experienced and seen by adjusting our internal perception to a higher and subtler frequency. Meditation theory teaches that the symbols associated with the chakras are not simply abstract representations. Just as iron filings form certain patterns reflecting the electromagnetic field of a nearby magnet, the energy that flows from the transforming stations (chakras) of the body also forms particular patterns, reflecting the energy field of that chakra. Thus, the symbolism of the heart chakra as two intersecting triangles (similar to the Star of David) surrounded by twelve lotus petals actually mirrors the energy formation particular to that area. (See the illustration on the front cover of this book for a pictorial representation of the chakras.) As the energy of the chakra continues to send pulsations and vibrations outwards, not only are geometric shapes formed, but specific sounds (mantras), colors, senses (smell, taste, touch, sight, and hearing), elements (earth, water, fire, air, and space), and personality characteristics are also manifested.

The chakras are interconnected by the energy channels (nadis) located within and parallel to the spinal column. In the ordinary person, the chakras are functioning at a minimum level and are not harmonized with each other. Meditation theory com- pares this to a drooping, closed lotus flower. Through intense concentration and inner meditative practices on these energy centers, the chakras become more active, like lotus flowers opening to the sun in full bloom. In meditation, the chakras are increasingly harmonized with each other until they vibrate in unison. When this occurs, the body, emotions, and mind are balanced and higher states of awareness are experienced. The goals of meditating on the seven major chakras are to activate the centers through intense concentration and to stimulate the physical and psycho-spiritual qualities associated with each chakra as well as to raise the latent energies from the lower, more physical, chakras to the higher, more spiritually-evolved ones.

 

Kundalini-shakti is the primal force of the seen and unseen universe and is manifested and expressed within the human through the chakras. As a result of this phenomenon, the individual experiences the world through the particular frame of reference of the individual chakras. Not only do the chakras govern and vitalize the physical functioning of certain areas of the body, but they also correspond to and influence the emotional, psychological, and spiritual qualities associated with the specific region. For example, when the mind and kundalini are expressed through the fifth chakra, we become creative and communicate effectively. If our mind and energy are primarily expressed through the third chakra, then we might experience the world and other people in terms of power and control.

 

Meditation on the chakras is of fundamental importance in the Tantric systems of meditation. The seven major chakras and three of the most important minor chakras are described below.

 

Muladhara, which means “foundation,” is the first chakra and is located at the base of the spine. It is associated with the sacral and pelvic nerve plexuses of the physical body. Associated with the first chakra are the physical concerns of bowel functioning as well as the psychological issues of emotional security.

 

 

 

 

 

 

 

 

Physical problems that are associated with this area are chronic  diarrhea, constipation, and irritable bowel syndrome. Psycho- logical issues associated with the first chakra relate to the issues of survival and self-preservation. When we are overly focused on this center, we overly identify with physical existence. We might experience life as an intense need to survive at all costs. We may be subject to fear of others and feel separate and alone. A lack of energy in the first chakra is associated with feelings of insecurity. Integration at the first chakra leads to feelings of security and stability and forms a strong foundation for managing the complexities of life.

 

This chakra also is the resting-place of great amounts of latent energy (kundalini-shakti). When this energy is activated by yoga practices, breathing exercises, and meditation, the kundalini force is directed upward to the higher, more spiritually-evolved centers. See chapter 22, Kundalini, for more information on this subject.

 

Muladhara is visually described as being surrounded by four red lotus petals on a circle. Inside the circle is a yellow square and inside this is an inverted red triangle. Within the triangle is the coiled kundalini energy. This resembles a serpent wrapped around itself three and one half times with its head facing upwards into the central canal (sushumna). The sound (bija mantra) associated with this chakra is LAM (rhymes with rum and numb as do all the other chakra associated bija mantras). The significance of mantras will be presented in the next chapter, Mantras. The element of the first chakra is earth and the associated sense is smell.

 

Svadisthana, which means “her abode,” is the second chakra and is located within the spinal column across from and slightly above the genital area. It has a correspondence with the plexus of nerves and glands associated with the sexual organs (ovaries and testes). Issues of urinary function, sexuality, and sensuality are associated with this center. When we are not integrated or are overly focused at this center, we may suffer from genital-urinary problems, lower back pain, or be overly involved with seeking sensual pleasures, especially sexual gratification. While desiring pleasure, we will often find the experiences fleeting and insufficient. Other people, especially the opposite sex, are experienced as being simultaneously alluring and to be feared. When there is a lack of energy at this center, we may experience inhibition of sexual expression or have an absence of desire. Integration at the second chakra is associated with having the capacity to express both masculine and feminine traits and to have and enjoy healthy, honest, and appropriately directed adult sexual relationships.

 

Svadisthana is visually described as being surrounded by six dark red (vermilion) lotus petals resting upon a circle. Inside the circle is the color white with a silver crescent moon resting near the bottom. The sound (bija mantra) associated with this chakra is VAM. The element of the second chakra is water and the associated sense is taste.

 

Manipura, which means “filled with jewels,” is the third chakra and is located across from the navel within the spinal cord. It is associated with the celiac plexus of nerves, the adrenal glands, and the pancreas. This area is also often referred to as the solar plexus. This is the center where energy from the two lower chakras is transformed and stored. Asian martial arts describe this center as being the storehouse of power. Anyone who has ever been punched in the center of the abdomen can testify how it knocks the energy and breath out of them. On a physical level, a lack of energy here can lead to stomach and digestive illnesses. Psychologically, this is the center of ego and competitiveness. There are issues of power over other people, of dominance and submissiveness, and of a need to expand our sphere of influence. The need to prove oneself and gain financial wealth and power are predominant. Anorexia and bulimia are two emotional disorders associated with problems of the third chakra. Healthy integration associated with this chakra allows for striking a balance between being active and assertive when necessary and being receptive or passive if indicated. There is a desire for success as well as an acceptance of failure.

 

Those of us who experience life through the third chakra tend to be motivated by the desire for external recognition, fame, power, and material wealth. We experience pride and ambition and physical strength and beauty are important to us. We may be demanding of other people’s attention and may try to control their actions and beliefs. We often have fiery and powerful personalities.

 

Manipura is visually described as being surrounded by ten dark blue lotus petals resting on a circle. Inside the circle is a red triangle that is pointed down but which inverts to point up- wards during meditation. The sound associated with this chakra is RAM. The element of the third chakra is fire and the associated sense is sight.

 

Anahata, which means “unheard sound,” is the fourth chakra and is located across from the heart within the spine and is associated with the cardiac plexus of nerves. Just as the blood from the heart and the oxygen from the lungs sustain the body and a mother’s breast milk nurtures her infant, the heart chakra, also located in the center of the chest, is associated with the capacity for us to emotionally and spiritually nurture others. On a physical level, imbalances here are associated with lung and heart diseases. A lack of integration at the heart center is psychologically associated with apathy or an inability to offer love to others. Feelings of love and compassion are experienced at this center and giving to others, compassion, selfless love, and empathy are characteristics of a healthy concentration of energy at this center.

 

Those of us who are able to experience life through the fourth chakra practice loving kindness and develop a deeper capacity for expressing love, generosity, forgiveness, and com- passion. We become a greater source of inspiration to others and people feel at peace in our presence. We learn to have a greater faith in life and become more optimistic, friendly, patient, and secure. We live life with grace and dignity and are generally respected by our community.

 

Anahata is visually described as being surrounded by twelve deep red lotus petals resting on a circle. Inside the circle are two blue-green triangles that intersect, one pointed down and the other pointed up. Some people refer to this shape as the Star of David. Inside the six-pointed star is a dark area, often described as a black cave. Inside the cave is a lit candle with a flame that does not flicker. This flame is often described as a reflection of the soul. The soul can be thought of as the eternal and nonchanging Center of Consciousness which channels the energy and creative forces of the universe through the individual. (More information on the Center of Consciousness can be found in chapter 18, Koshas: The Five Levels of Consciousness and Holistic Medicine.) The sound (bija mantra) associated with this chakra is YAM. The element of the fourth chakra is air and the associated sense is touch.

 

Hrit is a lesser-known chakra closely associated with, connected to, and located slightly below the anahata chakra. Great depths of emotion and feelings of devotion are associated with this center. It is described as being surrounded by eight gold lotus petals resting on a circle. Inside the circle is another circle red in color and inside this is an orange circle.

 

Vishuddha, which means “purified,” is the fifth chakra and is located across from the throat within the cervical portion of the spinal cord. It is associated with the cervical nerve plexus as well as the nerves of the voice box and with the thyroid gland. Creativity, receptivity to others, and the ability to be nurtured and guided by an inner higher consciousness are qualities associated with the fifth chakra.  Poor metabolism and thyroid diseases stem from problems with integration at this center and respiratory and throat problems can also occur. Psychologically, we may have difficulty communicating verbally with others, and creative people such as artists may be unable to produce quality work. An integrated focus of energy at this center is associated with being able to trust others, devotion, creativity, and with the capacity to evolve. The ideas of being receptive to and surrendering to our own higher creative instincts are spiritual qualities of this center. The element of the fifth chakra is space and the associated sense is hearing.

 

Those of us who experience life through the fifth chakra develop a melodious voice, a good command of speech, the ability to write well, the capacity to understand spiritual writings, and the ability to interpret the deeper significance of dreams.

 

Vishuddha is described as being surrounded by sixteen dark purple lotus petals resting on a circle. Inside the circle is dark blue in color and in the center is a white circle resting within a white triangle. This is described as the full moon seen against a blue sky. The sound (bija mantra) associated with this center is HAM. The element of the fifth chakra is space and the associated sense is hearing.

 

Ajna, which means “command,” is the sixth chakra and is located across from the area between the two eyebrows. It is located near the pineal and pituitary glands deep within the brain. There are also interconnections with the nasociliary plexus of the physical nervous system. The center is associated with the psychological and spiritual qualities of intuition, wisdom, and clarity of vision. It is also called the third eye and the eye of insight because it sees inwards into the conscious and unconscious mind. Disorders of integration at this center lead to confusion and potentially serious mental illness. When the kundalini energy rises to this level and resides there permanently, a person experiences the highest states of consciousness.

 

Ajna is described as being surrounded by two light blue lotus petals resting upon a white circle. This has an appearance of an eye. Inside the circle is a small white triangle pointed down. The sound associated with this center is the universal mantra OM (rhymes with home). The element of the sixth chakra is pure mind and it is beyond any sense association.

 

Indu (also called soma) is a minor chakra located above the ajna chakra. It is said to be the source of a sweet nectar (soma) that drips down with the cerebral spinal fluid from the third ventricle of the brain into the spinal cord. When we experience higher states of consciousness, the nectar is tasted in the throat. This chakra is visually described as being surrounded by sixteen light blue lotus petals resting on a circle. Inside the circle is a silver-white crescent moon.

 

Guru is another lesser-known but very important chakra located above the ajna and indu chakras and below the sahasrara chakra (see the description below). It is located at the back of the cerebral cortex part of the brain. It is associated with finely heard mantras and sublime images of great luminosity. Meditating on this chakra and establishing consciousness here is associated with attainment of great spiritual knowledge and feelings of bliss. This chakra is visually described as being surrounded by twelve red lotus petals resting on a circle. Inside the circle is a red inverted triangle.   

 

Sahasrara, which means “thousand petals,” is the seventh and highest chakra and is associated with the cerebral cortex of the brain. When kundalini reaches this level, the individual self merges and is absorbed into universal consciousness. Here there is no distinction between the knower and the known, and there is only perfect knowing.

 

Sahasrara is described as appearing like one thousand lotus petals of pure light emanating like an umbrella or crown from the top of the head. At times during meditation the crown chakra can be visualized as though it is arranged in the variegated colors of the rainbow. All sounds, elements, and senses are absorbed and integrated into the seventh chakra.[iii]

 

 

 

 

 

The Seven Major and Three Minor Chakras

Note: This information is adapted from my book, How to Meditate Using Chakras, Mantras, and Breath

General Overview

Internal styles of Chinese martial arts, identified by Sun Lutang in the 1920s, are Tai Chi Chuan, Baguazhan and Xingyi. Dr. Chernin practices the two former arts.

Internal martial arts emphasize the use of the mind to coordinate the leverage of the relaxed body as opposed to the use of brute force and strength. While external movements can be forceful and rapid, there is a focus on awareness of the spirit, mind, chi (breath) and the use of relaxed leverage rather than unrefined muscular tension. Often early in training there is greater emphasis on the internal aspects of the martial arts. As the student becomes more proficient, more power and force are added.

In internal martial arts, there is alot of time spent on basic physical training, such as stance training, stretching, strengthening of muscles, as well as on empty hand training and weapon forms which can be quite demanding. Many internal styles have basic two-person training, such as pushing hands.

Some forms of tai chi are performed slowly, although some include sudden outbursts of explosive movements (fa jin), such as those in some Chen forms. The reason for the generally slow pace is to improve coordination and balance by increasing the work load, and to require the student to pay minute attention to their whole body and its weight as they perform a technique. At an advanced level, and in actual fighting, internal styles are performed quickly, but the goal is to learn to involve the entire body in every motion, to stay relaxed, with deep, controlled breathing, and to coordinate the motions of the body and the breathing accurately according to the dictates of the forms while maintaining perfect balance.

External styles are characterized by the use of muscular power, speed, fast and explosive movements and a focus on physical strength and agility. In some of these systems, the more internal ideas are integrated later in training as the desired forceful techniques arte mastered. External styles include both the traditional styles focusing on application and fighting, as well as the modern styles adapted for competition and exercise. For example, Shaolin quan uses direct explosive attacks in training to fight and many Wushu forms have spectacular aerial techniques. Other non-Chinese forms of martial arts such as Karate and Tae Kwon Do are considered to be external forms. Some people describe the Japanese form of Aikido as being an internal form of martial arts.

 

The following synopsis of tai chi has been adapted from the website of my current Chen tai chi teacher, Richard Miller: www.greatlakeswushu.com.

 

In China, the martial arts are known as wushu. Born millennia ago, these ancient war arts bear little relationship to the flamboyance and fantasy of "kung fu" movies. Rather, wushu is a rich and challenging discipline; the unification of body and mind is its supreme goal.

Strength, health, and fighting skills are rewards of wushu training. The cultivation of inner qualities such as steadfastness, humility, and will, however, is the bedrock upon which the art is rooted. Wushu evolved over centuries on the battlefields of China. Today, it serves as a total fitness regimen, an effective means of self defense, an art that demands our best efforts.

 

Gongfu (kung fu) literally means time and toil. It is the fruit of sincere hard work and patience. Its benefits are manifold. Studying gongfu is like polishing a mirror to perfection - it is a way to know yourself.

 

Practiced the world over and widely praised for its health benefits, the Chen Style is the original taijiquan, and until the last century was rarely taught to non-Chen family members. This rich and sophisticated art includes both slow and fast movements, the development of chan si jin (silk reeling power).

 

The Lao Jia is the first form of Chen style Taijiquan. It is the style¹s foundation training that prepares students for the second form, Pao Chui. Lao Jia develops, strength, whole body unity, the basic flavor of Chen Style, and chan si jin (silk reeling energy). At this level of training, movement is primarily slow and soft, with an emphasis on relaxation; although some fa jin (power issuing) is also included.

 

LINEAGE

Chen Wangting
|
Chen Chang Xing
|
Chen Gong Yuen
|
Chen Yen Xi --------------
|                                  |
Du Yu Zhi          Chen Fake
|
Adam Hsu ----- Richard Miller

 

Here is an example of consecutive movements of one of the forms I study with the group, Great Lakes Wushu, taught by Richard Miller Moves 1 thru 18

 

 

 

 

The following information has been

adapted and modified from the Wikipedia site: http://en.wikipedia.org/wiki/Tai_chi_chuan

Tai chi chuan (traditional Chinese: ???; simplified Chinese: ???; pinyin: tàijíquán is an internal Chinese martial art often practiced for health reasons. Tai chi is typically practiced for a variety of other personal reasons: its hard and soft martial art technique, demonstration competitions, health and longevity. Consequently, a multitude of training forms exist, both traditional and modern, which correspond to those aims. Some of tai chi chuan's training forms are well known to Westerners as the slow motion routines that groups of people practice together every morning in parks around the world, particularly in China.

Today, tai chi has spread worldwide. Most modern styles of tai chi trace their development to at least one of the five traditional schools: Chen, Yang, Wu/Hao, Wu and Sun. The origins and creation of tai chi are a subject of much argument and speculation. However, the oldest documented tradition is that of the Chen family from the 1820s

The term t'ai chi ch'uan literally translates as "supreme ultimate fist", "boundless fist," "great extremes boxing", or simply "the ultimate" (note that 'chi' in this instance in Pinyin jí, not to be confused with the use of ch'i / qì in the sense of "life-force" or "energy"). The concept of the Taiji "supreme ultimate" appears in both Taoist and Confucian Chinese philosophy where it represents the fusion or mother of Yin and Yang into a single ultimate, represented by the Taijitu symbol. Thus, tai chi theory and practice evolved in agreement with many of the principles of Chinese philosophy including both Taoism and Confucianism. Tai chi training first and foremost involves learning solo routines, known as form. While the image of tai chi chuan in popular culture is typified by exceedingly slow movement, many tai chi styles (including the three most popular, Yang, Wu and Chen) have secondary forms of a faster pace. Some traditional schools of tai chi teach partner exercises known as pushing hands, and martial applications of the postures of the form.

At the height of its development, around 1644 AD, tai chi had become a fast martial art that also valued slow movements meant to expand the mind and focus the body's energy. However, the Manchurians invaded the Chinese empire and created the Ch'ing Dynasty and the slow flowing movements became predominant. Just like shaolin kung fu, both the meditative and physical practices of tai chi were originally considered necessary for the complete practice of tai chi, referred to as temple style tai chi. However, many of the slow elements of tai chi have evolved into their own schools of practice, such as Yang style tai chi chuan.

Tai chi chuan is generally classified as a form of traditional Chinese martial arts of the soft or internal branch. It is considered a soft style martial art — an art applied with internal power — to distinguish its theory and application from that of the hard martial art styles.

Since the first widespread promotion of tai chi's health benefits by Yang Shaohou, Yang Chengfu, Wu Chien-ch'uan and Sun Lutang in the early twentieth century, it has developed a worldwide following among people with little or no interest in martial training, for its benefit to health and health maintenance. Medical studies of tai chi support its effectiveness as an alternative exercise and a form of martial arts therapy.

Focusing the mind solely on the movements of the form purportedly helps to bring about a state of mental calm and clarity. Besides general health benefits and stress management attributed to tai chi training, aspects of traditional Chinese medicine are taught to advanced tai chi students in some traditional schools.[7] Some martial arts, especially the Japanese martial arts, use a uniform for students during practice. Tai chi chuan schools do not generally require a uniform, but both traditional and modern teachers often advocate loose, comfortable clothing and flat-soled shoes.

The physical techniques of tai chi chuan are described in the tai chi classics (a set of writings by traditional masters) as being characterized by the use of leverage through the joints based on coordination in relaxation, rather than muscular tension, in order to neutralize or initiate attacks. The slow, repetitive work involved in the process of learning how that leverage is generated gently and measurably increases, opens the internal circulation (breath, body heat, blood, lymph, peristalsis, etc.)

The study of tai chi chuan primarily involves three aspects:

  • Health: An unhealthy or otherwise uncomfortable person may find it difficult to meditate to a state of calmness or to use tai chi as a martial art. Tai chi's health training therefore concentrates on relieving the physical effects of stress on the body and mind. For those focused on tai chi's martial application, good physical fitness is an important step towards effective self-defense.
  • Meditation: The focus and calmness cultivated by the meditative aspect of tai chi is seen as necessary in maintaining optimum health (in the sense of relieving stress and maintaining homeostasis) and in application of the form as a soft style martial art.
  • Martial art: The ability to use tai chi as a form of self-defense in combat is the test of a student's understanding of the art. Tai chi chuan martially is the study of appropriate change in response to outside forces; the study of yielding and "sticking" to an incoming attack rather than attempting to meet it with opposing force.[citation needed]

There are five major styles of tai chi chuan, each named after the Chinese family from which it originated:

There are now dozens of new styles, hybrid styles and offshoots of the main styles, but the five family schools are the groups recognised by the international community as being the orthodox styles. Other important styles are Zhaobao Tai Chi, a close cousin of Chen style, which has been newly recognised by Western practitioners as a distinct style, and the Fu style, created by Fu Chen Sung, which evolved from Chen, Sun and Yang styles, and also incorporates movements from Pa Kua Chang.

The designation internal or nei chia martial arts is also used to broadly distinguish what are known as the external or wai chia styles based on the Shaolinquan styles, although that distinction is sometimes disputed by modern schools. In this broad sense, all styles of tai chi, as well as related arts such as Bagua Zhang (also called Pa Kua Chang) and Hsing-i Ch'üan, are therefore considered to be "soft" or "internal" martial arts. Many styles list in their history that tai chi was originally formulated by a Taoist monk called Zhang Sanfeng and taught by him in the Taoist monasteries at Wu Tang Shan.[10]

When tracing tai chi chuan's formative influences to Taoist and Buddhist monasteries, there seems little more to go on than legendary tales from a modern historical perspective, but tai chi chuan's practical connection to and dependence upon the theories of Sung dynasty Neo-Confucianism (a conscious synthesis of Taoist, Buddhist and Confucian traditions, especially the teachings of Mencius) is claimed by some traditional schools.

The philosophical and political landscape of that time in Chinese history is fairly well documented. Tai chi's theories and practice are therefore believed by these schools to have been formulated by the Taoist monk Zhang Sanfeng in the 12th century, at about the same time that the principles of the Neo-Confucian school were making themselves felt in Chinese intellectual life.

Yang Chengfu utilizing one of the many possible applications of the Single Whip technique.

As the name "tai chi chuan" is held to be derived from the Taiji symbol, commonly known in the West as the "yin-yang" diagram, tai chi chuan is therefore said in literature preserved in its oldest schools to be a study of yin (receptive) and yang (active) principles, using terminology found in the Chinese classics, especially the Book of Changes and the Tao Te Ching.

The core training involves two primary features: the first being the solo form, a slow sequence of movements which emphasize a straight spine, abdominal breathing and a natural range of motion; the second being different styles of pushing hands for training movement principles of the form in a more practical way.

The solo form should take the students through a complete, natural range of motion over their center of gravity. Accurate, repeated practice of the solo routine is said to retrain posture, encourage circulation throughout the students' bodies, maintain flexibility through their joints and further familiarize students with the martial application sequences implied by the forms. The major traditional styles of tai chi have forms which differ somewhat cosmetically, but there are also many obvious similarities which point to their common origin. The solo forms, empty-hand and weapon, are catalogs of movements that are practiced individually in pushing hands and martial application scenarios to prepare students for self-defense training. In most traditional schools, different variations of the solo forms can be practiced: fast–slow, small circle–large circle, square–round (which are different expressions of leverage through the joints), low sitting/high sitting (the degree to which weight-bearing knees are kept bent throughout the form), for example.

The philosophy of the style is that if one uses hardness to resist violent force, then both sides are certain to be injured at least to some degree. Such injury, according to tai chi theory, is a natural consequence of meeting brute force with brute force. Instead, students are taught not to directly fight or resist an incoming force, but to meet it in softness and follow its motion while remaining in physical contact until the incoming force of attack exhausts itself or can be safely redirected, meeting yang with yin. Done correctly, this yin/yang or yang/yin balance in combat, or in a broader philosophical sense, is a primary goal of tai chi chuan training. Lao Tzu provided the archetype for this in the Tao Te Ching when he wrote, "The soft and the pliable will defeat the hard and strong."

Tai chi's martial aspect relies on sensitivity to the opponent's movements and center of gravity dictating appropriate responses. Effectively affecting or "capturing" the opponent's center of gravity immediately upon contact is trained as the primary goal of the martial tai chi student. The sensitivity needed to capture the center is acquired over thousands of hours of first yin (slow, repetitive, meditative, low impact) and then later adding yang ("realistic," active, fast, high impact) martial training; forms, pushing hands and sparring.

Tai chi trains in three basic ranges, close, medium and long, and then everything in between. Pushes and open hand strikes are more common than punches, and kicks are usually to the legs and lower torso, never higher than the hip depending on style. The fingers, fists, palms, sides of the hands, wrists, forearms, elbows, shoulders, back, hips, knees and feet are commonly used to strike, with strikes to the eyes, throat, heart, groin and other acupressure points trained by advanced students. Joint traps, locks and breaks (chin na) are also used. Most tai chi teachers expect their students to thoroughly learn defensive or neutralizing skills first, and a student will have to demonstrate proficiency with them before offensive skills will be extensively trained. There is also an emphasis in the traditional schools that one is expected to show wu te (??), martial virtue or heroism, to protect the defenseless and show mercy to one's opponents.

In addition to the physical form, martial tai chi chuan schools also focus on how the energy of a strike affects the other person. Palm strikes that physically look the same may be performed in such a way that it has a completely different effect on the target's body. A palm strike could simply push the person forward, be focused in such a way as lift them vertically off the ground breaking their center of gravity, or terminate the force of the strike within the other person's body with the intent of causing internal damage.

Other training exercises include:

  • Weapons training and fencing applications employing the straight sword, a heavier curved sabre, sometimes called a broadsword, folding fan and spear.
  • Two-person tournament sparring (as part of push hands competitions.
  • Breathing exercises in coordination with physical movement and post standing or combinations of the two. These were formerly taught only to disciples as a separate, complementary training system. In the last 50 years they have become better known to the general public.

Tai chi classes have become popular in hospitals, clinics, community and senior centers in the last twenty years or so, as baby boomers age and the art's reputation as a low stress training for seniors became more well-known. As a result of this popularity, there has been some divergence between those who say they practice tai chi primarily for self-defense, those who practice it for its aesthetic appeal (see wushu below), and those who are more interested in its benefits to physical and mental health. The wushu aspect is primarily for show; the forms taught for those purposes are designed to earn points in competition and are mostly unconcerned with either health maintenance or martial ability. More traditional stylists believe the two aspects of health and martial arts are equally necessary: the yin and yang of tai chi chuan. The tai chi "family" schools therefore still present their teachings in a martial art context, whatever the intention of their students in studying the art.

Along with Yoga, tai chi is one of the fastest growing fitness and health maintenance activities in the United States.

Tai chi as sport

In order to standardize tai chi chuan for wushu tournament judging, and because many of the family tai chi chuan teachers had either moved out of China or had been forced to stop teaching after the Communist regime was established in 1949, the government sponsored the Chinese Sports Committee, who brought together four of their wushu teachers to truncate the Yang family hand form to 24 postures in 1956. They wanted to retain the look of tai chi chuan but create a routine that was less difficult to teach and much less difficult to learn than longer (generally 88 to 108 posture), classical, solo hand forms. In 1976, they developed a slightly longer form also for the purposes of demonstration that still didn't involve the complete memory, balance and coordination requirements of the traditional forms. This was the Combined 48 Forms that were created by three wushu coaches, headed by Professor Men Hui Feng. The combined forms were created based on simplifying and combining some features of the classical forms from four of the original styles; Chen, Yang, Wu, and Sun.

As tai chi again became popular on the mainland, more competitive forms were developed to be completed within a six-minute time limit. In the late-1980s, the Chinese Sports Committee standardized many different competition forms. They developed sets to represent the four major styles as well as combined forms. These five sets of forms were created by different teams, and later approved by a committee of wushu coaches in China. All sets of forms thus created were named after their style, e.g., the Chen Style National Competition Form is the 56 Forms, and so on. The combined forms are The 42 Form or simply the Competition Form. Another modern form is the 67 movements Combined Tai-Chi Chuan form, created in the 1950s, it contains characteristics of the Yang, Wu, Sun, Chen and Fu styles blended into a combined form. The wushu coach Bow Sim Mark is a notable exponent of the 67 Combined.

These modern versions of tai chi chuan (sometimes listed using the pinyin romanization Tai ji quan) have since become an integral part of international wushu tournament competition, and have been featured in several popular Chinese movies starring or choreographed by well known wushu competitors, such as Jet Li and Donnie Yen.

In the 11th Asian Games of 1990, wushu was included as an item for competition for the first time with the 42 Form being chosen to represent tai chi. The International Wushu Federation (IWUF) applied for wushu to be part of the Olympic games, but will not count medals.[18]

Practitioners also test their practical martial skills against students from other schools and martial arts styles in pushing hands and sanshou competition.

Simplified Short 24 Form T'ai Chi Ch'uan (Yang Style): Bibliography, Links, Quotes, Resurces, Notes, List.

Bagua

Following is a brief introduction of Yin Style Baguazhang written by my teachers who currently live in Beijing, China.

By He Jinbao

Translated by Matt Bild

Yin style baguazhang was founded by Dong Haichuan’s senior student, Yin Fu. It has precise theory and methods, a well-knit structure, abundant content and a strong technical quality. The fighting theory, postures, usage, outward appearance, and internal developmental methods all originate from and accord with the Book of Changes.

Yin style bagua is well known amongst all bagua styles as the “hard palm.” Its movements are fierce and vigorous, utilizing penetrating palm point striking methods. Emphasizing direct force and having an abundant shaking strength, when the hands go out, Yin style is said to be “cold, crisp, and fast.” The primary hand form used in Yin style is known as the “ox tongue palm” (four fingers held out together, thumb tucked in).

A natural stepping method is used. The main training methods are embodied in the four areas of “standing” (strengthening postures), “turning” (circle turning), “striking” (fighting techniques), and “changing.” Bagua stepping methods are emphasized along with single action and combined strike practice. Upon this foundation, set forms and weapons are trained. Yin style bagua, according to the symbolism and meaning of the eight trigrams, has eight animal systems. Each animal system has eight attack methods. Emphasis is placed on practicing in strict accord with the meaning and intent of the attack method. Each attack method has three foundational single action strikes and seven set forms with seven movements each.

According to Orthodox Bagua Penetrating Palm by Men Baozhen, the attack  methods and characteristics of the eight animal systems are as follows:

Qian trigram lion system interlocking palm:

The lion system is vigorous and fierce. The strength is straight and its force violent. Its techniques are used in interlocked fashion. Both arms extend out, resembling a lion opening his mouth to roar. It has the presence of the king of the beasts.

sweeping, cutting, chopping, hooking, shocking, blocking, seizing, grasping attack  methods

Kun trigram unicorn system reversing the body palm:

In the unicorn system, the arms twist and the body turns. When it meets strength, it might walk, change, or turn. It spins like a top on a sheet of ice. It has countless changes in the midst of whirling and turning around and emphasizes moving with the opponent’s force.

sticking, adhering, soft, following, hip, striking, chopping, cutting attack  methods

Zhen trigram dragon system holding and lifting palm:

In the unicorn system, the arms twist and the body turns. When it meets strength, it might walk, change, or turn. It spins like a top on a sheet of ice. It has countless changes in the midst of whirling and turning around and emphasizes moving with the opponent’s force.

pushing, lifting, carrying, leading, moving, capturing, chopping, entering attack  methods

Xun trigram phoenix system windmill palm:

The phoenix system uses a whipping strength, with the arm wheeling around at the shoulder. The hands are swift like the wind. It can take control of the enemy in the wink of an eye.

dodging, extending, chopping, shocking, transforming, removing, curling in, cutting attack  methods

Kan trigram snake system moving with the force palm:

The snake system has no fixed stepping pattern. It uses a constricting binding strength and coiling around methods to choke the opponent.

shoulder, elbow, knee, hip, shooting, binding, entrapping, grasping attack  methods

Li trigram rooster system lying step palm:

The rooster system attacks in the midst of dodging out of the way. It has a stomping crashing strength that is hard yet crisp, like being scorched by flame.

dodging, extending, rising, shifting, entering, whipping, rushing, stabbing attack  methods

Gen trigram bear system turning the back palm:

The bear system uses the back to strike; its strength is dangerous in close quarters. In the midst of a losing situation, it lures the opponent in to snatch victory from defeat.

rushing, penetrating, withdrawing, carrying, leaning, shocking, soft, following attack  methods

Dui trigram monkey system enfolding palm:

The monkey system emphasizes leg and kicking methods over all else, the other animals all emphasize hand techniques. The kicks and leg methods of the monkey system are contained in the hand techniques. It uses interlocked leg techniques with a straight on and reversing strength to prevent the opponent from attack or defense

bending, thrusting, straightening, hooking, chopping, swinging, stopping, ending attack  methods

Each animal system uses a different part of the body to emit force. Lion uses the waist; dragon uses the feet; phoenix uses the shoulder; rooster uses the elbow; bear uses the back; monkey uses the legs; snake can employ any part of the body; unicorn uses the waist to remove the opponent’s force. Yin style bagua weapons originate from the palm practices of the eight animal systems. They are dashing, energetic, intelligent and come in all variety of shapes and sizes.

Yin style bagua circle turning is smooth and agile, even and flowing, natural and comfortable. When practicing, emphasis is placed on the following: The arms should “roll out, wrap back in, pull back away, and drill out.” The waist should “twist, whirl, walk, and turn.” The feet should “lift, fall, swing, and hook.” The waist being the director is stressed as the hands follow the turning of the waist, the feet follow the waist’s movement, the waist strikes and the waist removes.

This art contains many technical skill movements, among them are “rubbing, filing, rolling, turning over, shrinking, small, flexible, soft, artful, et cetera.” Each technique has many ways to be used, and all are easily changed. The strength can have qualities of moving with and against, hardness and pliancy, roundness and fullness. The techniques of each of the eight animal systems can be used by themselves or mixed in with those of other animal systems. Although each animal system stands on its own as a complete system, there are opportunities for them to be intermixed.

Yin style bagua is a very special traditional internal martial art. The study of this art should begin with the study of the lion and unicorn systems. Once the concepts of hardness and pliancy are understood, the study of the remaining six animal systems will come easily. A long period of training can increase strength and pliancy, improve reaction ability, and speed of movements. It can also improve musculature, skeletal structure, the nervous system and functions of the internal organs. In addition, it can improve your fighting ability, ability to resist attack, and your state of mind. In all, it is beneficial for health, fighting ability and aesthetic value.